Identifying Time Signatures

time-signature-clapping

Identifying Time Signatures - Simple or Compound

Identifying Time Signatures can be complicated, especially when there are 2 (or more) choices. Which answer is the correct one - the Simple Time Signature or the Compound Time Signature?

As teachers, we can place an "X" beside an incorrect answer and a "√ " or check mark beside a correct answer. I think that we all would agree that it is essential that students correct their mistakes.

But... Does this sound familiar?

Teacher: “What is the correct Time Signature?”  Student: “3/4.”

Teacher: “Why?”  Student: “Because you put an X beside the 6/8.”



Okay, there is a reason why the answer is 3/4 or 6/8 right?

Identifying Time Signatures - See the rhythmWhat is the difference between 3/4 and 6/8?

Meet Éliane. She is in Grade 4 Piano and in Intermediate Rudiments.

Éliane understands that Simple Times have corresponding Compound Times that can have the same number of notes, but that each Time Signature groups the notes differently.

When identifying time signatures, how are notes grouped differently?

One way is the beaming of the eighth notes.

For example: 6 eighth notes could be 3/4 Time or 6/8 Time.

Time Signature - ex

In Simple Time, 3/4 Time uses 3 groups of 2 eighth notes.
In Compound Time, 6/8 Time uses 2 groups of 3 eighth notes.

Can you tell which measure is now 3/4 and which is now 6/8? There is a definite difference, isn't there!

Time Signature - example

To ensure that she could SEE the difference between the Simple Rhythm and the Compound Rhythm, instead of just putting an “X” beside the incorrect answers, I asked Éliane to count aloud and clap each rhythm to SEE, HEAR and FEEL if it was correct.

In the Intermediate Rudiments Workbook, Page 91 #2, Éliane had the answer 6/8 as the Time Signature for the Rhythm in the first measure (seen here below).

Is that a correct or an incorrect answer? (Did you check your Intermediate Rudiments Answer Book or did you work it out yourself?)

Time Signature - notes

Identifying Time Signatures - Clap the rhythmIdentifying Time Signature - Look at the Rhythm

Éliane could SEE that there were notes that equaled 6 eighth notes.

When she tried to clap it, she could HEAR that she could not count it properly for 6/8 time.

She could FEEL that the pulses just didn't work with how the notes were grouped.

So, she clapped it again counting it in 3/4 time and, voila, it worked!

Identifying Time Signatures in Three Easy Steps

To ensure success when adding Time Signatures to rhythms follow these 3 steps:

Step 1: SEE the patterns of notes beamed in groups of 2 or 3.

Step 2: HEAR as you count aloud, clap the rhythm and listen for the counts to match the groupings.

Step 3: FEEL the rhythmic pulse as you count aloud and play the rhythm.

Identifying Time Signature - SuccessThree Steps to Identifying Time Signatures Correctly

  • SEE the pattern
  • HEAR the counts
  • FEEL the pulse

See + Hear + Feel = The Way to Score Success!

Rhythm and Rests can be a tricky subject to teach. I often receive emails from teachers who just need to be reassured that they are on the right track. So we created an online Teacher Training Course - Teach Rhythm and Rests just for you!

This 8 Video Series includes downloadable worksheets with examples and exercises. If you have ever second-guessed yourself on a Rhythm and Rest Question, for only $7.00, you will learn how to teach Rhythm and Rests more effectively. This is a $200.00 Value and for a limited time, it is yours for only $7.00.

P.S. - Join the Conversation: When marking your students pages, how do you indicate that they have written an incorrect answer?

UMC-TRR

Teach Rhythm & Rests Online Course is a Teacher Training with 8 Video Sessions plus downloadable worksheets on Simple, Compound & Hybrid Time on Teaching Rests.

Teacher Training includes 8 video sessions covering:

  • Preparatory (Prep 1 & Prep 2)
  • Basic Music Theory
  • Intermediate Music Theory
  • Advanced Music Theory

Plus all your downloadable worksheets with examples and exercises for all 4 music theory levels.

Keep on Learning... With a Smile and a Song!

Shelagh McKibbon-U'Ren

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5 thoughts on “Identifying Time Signatures”

  • Jeanne says:

    I have a band leader I play keyboard with that swears that the time signature for the traditional hymn To God be the Glory is in 12/9…we have discussed the obvious things if course but he says he looked it up and found it was called 12/9 because the bottom note in the signature is a dotted – quarter so it was called 12/9. Can you help me understand how he got this understanding? I have two under-graduate degrees and one masters in music and I have never heard of it.

    • Shelagh McKibbon-U'Ren says:

      The bottom number in a Time Signature refers to the type of note that is the basic beat. So, we are limited to the numbers that correspond to notes. For example: 1 – whole note; 2 – half note; 4 – quarter note; 8 – eighth note; 16 – sixteenth note; 32 – thirty-second note; 64 – sixty-fourth note. So, there is absolutely no “9” note. If the basic beat is a dotted quarter note, then the bottom number of the Time Signature must be “8” for an eighth note. It is considered to be Compound Time – groups of 3 eighth notes (and 1 group of 3 eighth notes = 1 dotted quarter note). I would be very interested to know if he can actually provide you with an online reference for this, because I just don’t get it either! Oh my! Shelagh

    • Shelagh McKibbon-U'Ren says:

      I had another thought on this – perhaps the Time Signature was 12 / 9 (or 12 – 9) over 8, meaning measures alternated between 12/8 and 9/8 time? Hmm…Shelagh

  • Kamara says:

    Obviously, this Band Leader needs to take the UMT course; go back to the basics!!

  • GREG PADUA VILLANUEVA says:

    I am very thankful finding this music website. I am a music teacher in the elementary for almost 25 years. With no formal background in music, I find this site very helpful to me. Thank you very much. May God bless your life fruitfully, the staff, the writers, the teachers

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