Advanced Rudiments Errata Pages

Advanced Rudiments Errata PagesAlthough thousands of hours are spent writing and proofing each book in the Ultimate Music Theory Series of Workbooks and Answer Books, sometimes printing and proofing errors occur.

The Advanced Rudiments Errata Pages show corrections for the Ultimate Music Theory Advanced Rudiments Workbook and Answer Book.

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Advanced Rudiments Workbook

This impressive coil bound, 9 X 12 workbook includes 80 Free Flashcards.
Advanced Rudiments features these concepts and more!

  • PITCH – Musical Notation, Alto Clef and Tenor Clef
  • SCALES – Major, minor, Modes, Enharmonic and 20th Century
  • CHORDS – Major, minor, Aug, dim, Dominant 7th and diminished 7th
  • RHYTHM – Simple Time, Compound Time and Hybrid Time
  • INTERVALS – Simple, Compound and Inversions
  • CIRCLE OF FIFTHS – Key Signatures (up to 7 sharps and 7 flats)
  • TRANSPOSING – Major keys, minor keys, Concert Pitch and Scores
  • CADENCES – Writing and Identifying Perfect, Plagal and Imperfect
  • ANALYSIS – Musical Terms, Symbols and Signs

Advanced Rudiments Errata Pages – Workbook

  • Advanced Rudiments Errata Pages – Workbook (2011)

Advanced Rudiments Table of Contents, Page 3.
Correct the  Page number beside: Lesson 5 Triads and Inversions – Major, Minor, Augmented and Diminished … 54

Advanced Rudiments Table of Contents, Page 3.  Lesson 12 Final Advanced Exam (not Intermediate Exam)

Lesson 2, Page 19.  Change the second exercise to be 2) and not 1).

Lesson 3, Page 32.  In the example of the a Blues Scale – lowered 5th, the arrow pointing down should be in front of the first scale degree 5 and not the second scale degree 5.

Lesson 7, Page 75.  In the example box and in the Grand Staff  for question #1, change the double bar lines at Measures 2 and 4 to single bar lines.

Lesson 7, Page 78.  In the example box, the second triad in the first cadence should be labeled as V, not v.

Lesson 7, Page 80.  In the example box and in the Grand Staff for question #1, change the double bar lines at Measures 2 and 4 to single bar lines.

Lesson 7, Page 81.  For each Grand Staff, change the double bar lines at Measures 2 and 4 to single bar lines.

Lesson 7, Page 85.  For question #6a, change the double bar lines at Measures 2 and 4 to single bar lines in the Grand Staff.

Lesson 9, Page 102.  Question #3 should be renamed to Question #2.

Lesson 10, Page 113.  In the example of Chorale Style, the final chord should be C (Soprano), G (Alto), E above Middle C (Tenor) and C (Bass).

Lesson 10, Page 118.  For question #1, change the instructions to: 1.  Name the four voices.  Rewrite the following excerpt in Short Score in Chorale Style.

Lesson 10, Page 119.  For question #1b, change the instructions to: 1b.  Rewrite the Open Scores into Short Scores in Chorale Style.

Lesson 10, Page 124.  For question #9c, change the instructions to: 9c.  Rewrite the following excerpt in Short Score in Chorale Style (using the two staves below).

Lesson 11, Page 130.  The instructions for 6e) should be: enharmonic relative minor, melodic form, of C flat Major using accidentals.

Advanced Rudiments Answer Book

Finally an ANSWER Book that is easy to use and identical to the workbook.

  • MATCHING BOOK – Same orientation and page numbers as workbook
  • EASY FORMAT – Hand written answers to provide effortless reading
  • SAVES TIME – Quick and accurate marking during lesson time
  • CONVENIENT SIZE – Coil bound in a handy 5 X 7 size

Advanced Rudiments Errata Pages – Answer Book

  • Advanced Rudiments Errata Pages – Answer Book (2011)

Lesson 3, Page 31. The answer to #1a is:  Mode: Phrygian

Lesson 4, Page 49. The answer to the final Motive E is imitation

Lesson 6, Page 66. The placement of the whole notes in #2d, #2e and #2f is incorrect.

In #2d, the G sharp should be lined up with the D sharp and the B sharp.  The F sharp should be written to the left (hugging the G sharp on the left of the chord).

In #2e, the D flat, F flat and A flat should be lined up.  The C flat should be written to the left (hugging the D flat on the left of the chord).

In #2f, the G sharp, B and D should be lined up.  The E should be placed to the right of the D (hugging the D on the right of the chord).

Lesson 8, Page 92. In 1a – the eighth rest is missing at the end of the first measure

Lesson 8, Page 99. In #1, UP a Major 2 – B flat:  there should be a “C” written below the note C in the Treble Clef.

Lesson 10, Page 119. In 1b – Short Score for the Modern Vocal Score, the Tenor Voice should be A-G-F# A.  (Not A-A-A- A)

Advanced Rudiments Errata Pages – Although we strive for excellence, sometimes printing and proofing errors occur. If you find any errors that are not listed on the Errata Pages, please contact us so we can add them to the Errata Pages and provide you with a virtual high five and a cookie – our way of saying thanks for looking out for our Errata Pages!

Errata Pages – Ultimate Music Theory – The Way to Score Success!

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