Complete Rudiments Errata Pages
Although thousands of hours are spent writing and proofing each book in the Ultimate Music Theory Series of Workbooks and Answer Books, sometimes printing and proofing errors occur.
The Complete Rudiments Errata Pages show corrections for the Ultimate Music Theory Complete Rudiments Workbook and Answer Book.
Download Complete Rudiments Errata Pages – Workbook and Answer Book
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This impressive coil bound, 9 X 12 workbook includes 80 Free Flashcards.
Complete Rudiments features these concepts and more!
- PITCH – Musical Notation – Clefs, Notes and Rests
- SCALES – Major, minor, Modes, Enharmonic and 20th Century
- CHORDS – Major, minor, Aug, dim, Dominant 7th and diminished 7th
- RHYTHM – Simple Time, Compound Time and Hybrid Time
- INTERVALS – Simple, Compound and Inversions
- CIRCLE OF FIFTHS – Key Signatures (up to 7 sharps and 7 flats)
- TRANSPOSING – Major keys, minor keys, Concert Pitch and Scores
- CADENCES – Writing and Identifying Perfect, Plagal and Imperfect
- ANALYSIS – Musical Terms, Symbols and Signs
Complete Rudiments Errata Pages – Workbook
- Complete Rudiments Errata Pages – Workbook (2011)
Lesson 4, Page 74. In the example box for the a Blues Scale – lowered 5th, the arrow pointing down should be in front of the first scale degree 5 and not the second scale degree 5.
Lesson 5, Page 94. The example box at the top of the page covers the bottom (first) line of the staff that shows the whole rest.
Lesson 6, Page 135. In question #1, line #2, measure #7: Change the interval to F♯ and B.
Lesson 6, Page 137. In the second example Box, change the Perfect to Major. The list on the left side of the box should now read: Augmented, chromatic semitone, Major, chromatic semitone, minor, chromatic semitone, diminished.
Lesson 6, Page 150. In question #10, move the box for “D” to the beginning of the 3rd beat in measure 5 (instead of the beginning of the 2nd beat in measure 5). The answer to f) D will then be a Perfect 12.
Lesson 8, Page 193. In the example box and in the Grand Staff for question #1, change the double bar lines at Measures 2 and 4 to single bar lines.
Lesson 8, Page 198. In the example box and in the Grand Staff for question #1, change the double bar lines at Measures 2 and 4 to single bar lines.
Lesson 8, Page 199. For each Grand Staff, change the double bar lines at Measures 2 and 4 to single bar lines.
Lesson 10, Page 230. For question #1, change the instructions to: 1. Name the four voices. Rewrite the following excerpt in Short Score in Chorale Style.
Lesson 10, Page 231. For question #1b, change the instructions to: 1b. Rewrite the Open Scores into Short Scores in Chorale Style.
Lesson 10, Page 235. For question #9c, change the instructions to: 9c. Rewrite the following excerpt in Short Score in Chorale Style (using the two staves below).
Complete Rudiments Answer Book
Finally an ANSWER Book that is easy to use and identical to the workbook.
- MATCHING BOOK – Same orientation and page numbers as workbook
- EASY FORMAT – Hand written answers to provide effortless reading
- SAVES TIME – Quick and accurate marking during lesson time
- CONVENIENT SIZE – Coil bound in a handy 5 X 7 size
Complete Rudiments Errata Pages – Answer Book
- Complete Rudiments Errata Pages – Answer Book (2011)
Lesson 5, Page 122. In 1a, first measure, add an eighth rest under the third bracket in measure 1.
Lesson 6, Page 135. In question #1, line 2, measure #7, the interval was changed to F♯ and B (a Perfect 4). The answer will then be F♯ and B♯ (an Augmented 4).
Lesson 6, Page 143. In #2, second line, measure 5, the answer should be A flat to C sharp in the Bass Clef. (not C flat to E sharp).
Lesson 6, Page 150. In question #10, the answer to f) C is a Per 12 (not an Aug 12).
Lesson 6, Page 150. In question #10, move the box for “D” to the beginning of the 3rd beat in measure 5 (instead of the beginning of the 2nd beat in measure 5). The answer to f) D will then be a Perfect 12.
Lesson 7, Page 166. In question 1, line 2, measure 2, the Type of triad is Aug (not dim).
Lesson 7, Page 172. The placement of the whole notes in #2d, #2e and #2f is incorrect.
In #2d, the G sharp should be lined up with the D sharp and the B sharp. The F sharp should be written to the left (hugging the G sharp on the left of the chord).
In #2e, the D flat, F flat and A flat should be lined up. The C flat should be written to the left (hugging the D flat on the left of the chord).
In #2f, the G sharp, B and D should be lined up. The E should be placed to the right of the D (hugging the D on the right of the chord).
Lesson 9, Page 208. In question #1a, add the time signature of 4/4 after the A Major Key Signature.
Lesson 10, Page 229. In question #1, for the answer, remove the bar line at the end of the 2nd complete measure. This excerpt starts with an anacrusis (incomplete measure) followed by 2 complete measures.
Lesson 10, Page 236. To complete d), circle the tritone- line #2, the first measure (measure 7 of the song), beat 4 in the Treble Clef (E flat to A natural).
Complete Rudiments Errata Pages – Although we strive for excellence, sometimes printing and proofing errors occur. If you find any errors that are not listed on the Complete Rudiments Errata Pages, please contact us so we can add them to the Complete Rudiments Errata Pages and provide you with a virtual high five and a cookie – our way of saying thanks for looking out for our Errata Pages!
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